Douglas Eklund in his essay from the Pictures Generation exhibit at the Met quotes semiotician Ronald Barthes and opines about why it's important for photographers to know their history.
Barthes infamously extended this concept to question the very possibility of originality and authenticity in his 1967 manifesto "The Death of the Author," in which he stated that any text (or image), rather than emitting a fixed meaning from a singular voice, was but a tissue of quotations that were themselves references to yet other texts, and so on.
The famous last line of Barthes' essay, that "the birth of the reader must be at the cost of the death of the author," was a call to arms for the loosely knit group of artists working in photography, film, video, and performance that would become known as the "Pictures" generation...
Untitled Film Still #14, 1978 © Cindy Sherman
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